Wednesday, September 15, 2010

Stories tell us how to live

After reading and loving Snow Flower and the Secret Fan, I picked up Peony in Love from the library the next day.

Peony lives in a world where dynasty change has occurred and everyone is still adjusting. By that I mean the men are adjusting and the women are continuing to live inside even though they had a brief time where they could travel and, gasp, write books that would actually get published and read.

Peony is an only child in love with an opera called the Peony Pavilion by Tang Xianzu (which is a real opera). Her father gave her a love of reading and learning which perhaps was not the most useful thing for a wife back then.

"Had you been a son," Baba went on, "You would have made an excellent imperial scholar, perhaps the best our family have ever seen." He meant it as a compliment and I took it that way, but I could hear regret in his voice too. I was not a son and never would be."

Her father stages a showing of the opera in their family gardens and the women get to hear it while hidden behind a screen. Through a crack in the screen, Peony sees a very handsome man who then runs into her in the garden, something very improper. The poet, Ren, and Peony meet for three days and then the opera is over and Peony must face that fact that she is to be married out.

"I will follow the course my father sets for me, but all girls have dreams, even if our destinies are set."

She becomes obsessed with the Peony Pavilion and sees herself as the woman in the opera who loves even after death and is then brought back to life through the power of love. Peony neglects to take care of herself, eat and eventually dies while working on her commentary of the Peony Pavilion.

"Everyday I see it and I don't know what to do. Literacy is a grave threat to the female sex. Too often I've seen the health and happiness of young women fade because they will not give up their brush and ink."

The rest of the book follows Peony's afterlife as she attempts to watch over Ren and learns more about the women in her family. Because Peony's tablet was not dotted correctly, her spirit is not at rest and she fears that she will remain a hungry ghost for all time.

One thing that I really liked was that in the afterlife Peony meets a group of other girls who all died young after becoming obsessed with the Peony Pavilion. It reminded me of Goethe's The Sorrows of Young Wurther where young men were killing themselves for the romantic gesture of the thing.  Thankfully, Kate Beaton did a little comic which illustrates (clikc her name for a larger version):

Ren goes on to have two other wives and Peony is there, watching and trying her best to make him happy for she just loves him so much. And while I personally would have haunted the crap out of Tan Ze (Peony's old friend who is Ren's second wife), Peony does seem to have Ren's happiness at the heart of all she does.

This book has some interesting insights into how women slowly became more accepted as poets and writers, but I was not as enthralled with this one as with Snow Flower. I still would recommend this book, but if given the choice stick with Snow Flower.


Also side note - I've got a poll up for what my next big classic read should be! So far Bleak House is winning but you should totally check out the other options and vote. Do me a solid!

Monday, September 13, 2010

Are you trying to make holes in me?


I am slowly working my way through 1001 Books You Must Read Before You Die and this one is on the list. I thankfully have not seen the movie version yet, but now am dying to.

The Reader takes place in postwar Germany and follows young Michael Berg as he gets sick on the street and is rescued by an older woman. After recovering from his illness, Michael brings her flowers to thank her, and they develop a relationship. He reads to her, they take baths and make love all in Hanna's apartment. She is more than twice his age and Michael struggles to keep her separate from his school-life, even as he knows he is doing Hanna wrong by doing so.

I love the way their first days are described, how ardently Michael adores Hanna. He loves that she is not trying to seduce him really, it is more that she isn't trying to impress him, she just is impressive to him.

"It was more as if she had withdrawn into her own body, and left it to itself and its own quiet rhythms, unbothered by any input from her mind, oblivious to the outside world."

Hanna disappears and Michael later sees her on trail for crimes committed as a guard of a group of Jewish women at one of the concentration camps. However, Michael realizes that Hanna is taking the blame because she is ashamed of a secret she has kept from everyone, even him. Michael is so conflicted because he (and his generation)  is trying to deal with how to view their parents and elders who were either complicit in the Holocaust or stood by and let it happen. Just as we Americans had our "Great Generation", for Michael it seems that they had a Failed Generation. And yet he cannot completely condemn Hanna because he loved her.

"And if I was not guilty because one cannot be guilty of betraying a criminal, then I was guilty of having loved a criminal" 

What struck me most about Hanna's situation was that during her trial when she was accused of her actions and inaction she turned to the judge and  asked him what he would have done. And there can be no answer. While she serves her sentence in prison, Michael begins to send her tapes of himself reading to her, and yet cannot bring himself to visit or write her a letter.

"The tectonic layers of our lives rest so tightly on top of the other that we always come up against earlier events in later ones, not as a matter that has been fully formed and pushed aside, but absolutely present and alive."

There is a soft spot in my heart for tragic love stories, and this one is very bittersweet. It is difficult to remember that people who have done horrible, horrible things are often times just people who at their core are not bad or evil. Hanna did at least take part in a horrific act, and yet I cannot view her as a bad character.

I am very excited to see the film version and see how they handle all of this. But I would highly suggest this book to anyone.

Saturday, September 11, 2010

Our parents are super villians!

I'm no stranger to comic books and graphic novels and picked Runaways up while looking through my local library's teen graphic section.

Six teenagers are brought together when the discover that their parents are all part of a secret super villian group called the Pride. Unable to trust their parents after what the kids saw, the band of teenagers search for proof to give to the police while discovering that they have abilities of their own.

I really enjoyed this story and plan on continuing the rest of it. I can see why this stroy would appeal to teens, I might be speaking for myself, but I know I grew up wishing that some latent super-powers would show up one day. But perhaps I just watched too many X-Men cartoons. Anyway, I am interested to see how the teens' characters develop.

Friday, September 10, 2010

We are old sames


I need to listen to my friend's recommendations in a more timely manner because I have let this book languish on my shelves for months and simply nodded every time Liz would tell me "You will love it; you have to read it." As always, she was right.

Lily is an old Chinese woman looking back on her life now that all those who might be ashamed of what she has to say are dead. Lily grew up in a home that was not the best financially and as a daughter was thought of as basically worthless. She detailed her foot binding days, how harsh her mother was with her and how painful the process of breaking her feet was but Lily always accepted that this was how it was supposed to be in order for her to make a good marriage.

Just in case you needed a visual of the way these girls (sometimes as young as three) had their feet broken:
picture source

But the real meat of the story is the relationship between Lily and her laotong, Snow Flower. The laotong relationship is basically a contracted friendship that began when the two were extremely young and is to be an emotional love that is valued even over their husbands. Snow Flower is much more refined than Lily, but we see that she is ignorant towards household tasks that she will need in her future.

"For my entire life I longed for love. I knew it was not right for me — as a girl and later as a woman — to want or expect it, but I did, and this unjustified desire has been at the root of every problem I have experienced in my life."

Lily and Snow Flower communicate using women's language, nu shu, and record the events of their lives on a decorative fan that they pass between each other. Because of the interpretive nature of nu shu, there is a misunderstanding and Lily and Snow Flower's lives are cut apart.

This book was such a fascinating read. I knew nothing about Chinese family dynamics and felt the most connected to Snow Flower and her plight. The laotong relationship is so fascinating to me. The nature of friendships change over time, in my life I have seen friends who I thought would be with me always fade away over things that I cannot comprehend and other friends that I never expected to love become sisters in my heart.

Sunday, September 5, 2010

I am currently having a hard time figuring out which of my books to read. I am a big believer that there is a right time to read each book and they let me know when the time is right. If it isn't, I'll let a book slip away while reading and move on to something else. But, as most of my books are still packed up, I'm at a loss.

Anyway, what are you guys reading right now?

I am I am I am

I've never read any of Sylvia Plath's poetry before but you pretty much have to be living in a cave to have never heard of this book.

I had a very easy time connecting to our narrator, Ester. She's a young small town girl in the big city, with everything in life ahead of her yet feels hopelessly out of sync with everyone around her.

"I guess I should have been excited the way most of the other girls were, but I couldn't get myself to react. I felt very still and very empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo."

I read that sentence and knew that I was going to love this book. Plath captured the detachment that comes with a nervous breakdown perfectly.

Some of the secondary characters are so well executed in just a few words. I would latch on to Doreen and follow her around all the time. She does her own thing and exudes confidence and independence, which is probably why Ester eventually does not want to be around her.

"Doreen had intuition. Everything she said was like a secret voice speaking straight out of my own bones."

Ester goes back to her hometown after her month in NYC and recollects on her past interactions with her boyfriend. I wish he had been the one to fall down a mountain and break his leg. With Buddy, Ester sees the narrow life that will be expected of her as a wife and mother. So she rebels the only way she can, withdrawing further into herself.

"And I knew that in spite of all roses and kisses and restaurant dinners a man showers on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat."

But she is stuck in the fifties and after awhile her mother takes her in for therapy. After a poorly done electro-shock treatment, Ester goes says enough and makes several suicide attempts. She is discovered and taken to a group home for treatment.

I read a review of this book that said it was Salinger-esque in a female voice and I completely agree. The writing style was so accessible and easy for me to get into.


"From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, the plopped to the ground at my feet."

This is my problem with life right now - I feel exactly the way she describes. I would highly suggest this book to anyone, although maybe not when you are currently having your own little breakdown.

Tuesday, August 31, 2010

Now I've begun again


It's been a long time.

I'm just going to get right back into the swing of things here. Lady Chatterly's Lover has a lot of history behind it; it was banned both in the UK and the US for being pornographic. This is one a lot of lists of the classic great books so I thought I better give it a shot.

I did not like it.

Connie Chatterly's husband was wounded in the war and is confined to a wheelchair. They live on a great English estate that included a giant industrial mine. While Connie is set up to be an educated and forward-thinking woman, I found her annoying. Surrounded by modern thinkers and culture, there is no meaning in any of the actions or thoughts of any of the characters. They just go through the motions.

"Sex and a cocktail: they both lasted about as long, had the same effect and amounted to about the same thing."

Connie has affairs that seem just ways to pass her time. Until she meets him, Mellors, the groundskeeper. He is also married, but his wife left him and lives on the other side of town. They start on together and there are some pretty explicit scenes. I've never been a fan of bodice-ripping romance novels, but this doesn't seem like the same thing. I mean, Connie weaves flowers into his pubic hair.

I guess my problem is that I don't buy their idea of love. Connie and Mellors just seem to be in lust. They don't really have conversations, he mauls her in the woods and has sex with her while she is half-passed out. He has some really strict demands on what a woman does during sex.

While her father and sister are fine with her having an affair, they are not pleased with the thought of such a scandal over a man of lower class.

There are bigger things going on in this book besides these two having sex. Old England is being destroyed by a newer, industrial England. The characters are only half-living, crippled by their inability to deal with the changing world.

I think that the idea of the scandal around this book is more appealing to me than the actual book itself. Color me unimpressed.